Hidden Files

Lair of Lupus Vox

This is the core.
There are no smokescreens or polite facades here. Serious, often uncomfortable topics are set to music that seems light, even danceable.

The contrast is intentional. The heavier the load, the more perversely it is presented. Irony and mockery are commonplace.

Vulgarity appears when it has to, because sometimes only a dirty word fits a dirty reality.

CONCLUSION: Space where laughter, anger, and dance coexist.

RATIONALE: Defines identity. Heavy subjects require sharp delivery. Irony and vulgarity are not excess but necessary tools. Sometimes.

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B-Side

If the Lair cuts deep, the B-Side lets listeners breathe.

It's logic of a vinyl single: side A holds the hit, side B brings the instrumental or a much lighter track.

Songs are easier, looser, sometimes about nothing at all - and sometimes about something. Never too heavy.

CONCLUSION: Lupus Vox more friendly.

RATIONALE: The subject matter is lighter, tone more casual. There is no possibility of losing identity.

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Antiqua

Contemporary adaptations of classical texts. For example, uses excerpts from "Song of Songs" or entire poems, such as Horace's "Carpe diem"

[NOTE:] Check if these are originals
[NOTE EDITED:] Checked. Original texts, often in their native languages.

Choruses written by person under observation? Yup...


Main material set to synthesizers. Possible use of foreign or unusual instruments.

CONCLUSION: OK, de gustibus non disputandum est... But i can't deny his talent.

RATIONALE: Most often combines ancient literature with electronic sound. Identity preserved.

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Audiography

No lyrics. No voice. Subject uses only sound. Landscapes, places, moods reconstructed without words, translated into music.

Exceptionally difficult to classify.
[NOTE:] Further observation required.

CONCLUSION: Speed has colors, you can hear movement and the weather forecast... Pure madness.

RATIONALE: Absence of text is not absence of meaning. Identity exists in sound.

[Shit, my poor head...]

CONDITIONAL ACCESS GRANTED

Side Effects

WARNING: HIGH RISK AREA.

Subject appears here rarely. So far, it is unknown whether these are by-products or deliberate diversions. [NOTE:] They most often arise when the subject really should not be writing music. Inconsistent with all classifications.

Correlation with emotional fluctuations? F***ing high. Correlation with logic? Nonexistent.

The scope is enormous: from quiet experiments to “why was this even created???”. Despite this, distinct traces of identity remain detectable.

CONCLUSION: Unstable, unpredictable, sometimes brilliant.

RATIONALE: Strong side effects, undeniably originating from the subject, although sometimes difficult to determine.

ACCESS GRANTED AFTER SPECIALISED TRAINING.


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