B-Side

If the Lair cuts deep, the B-Side lets listeners breathe.

It follows the logic of a vinyl single: side A carries the main blow, side B brings the detour - lighter, looser, sometimes instrumental.

Songs are easier, looser, sometimes about nothing at all - and sometimes about something. Never too heavy.

CONCLUSION: Melodic detours, brighter moods and songs that smile without losing their teeth.

RATIONALE: The subject matter is lighter, tone more casual. DNA remains intact.

 ACCESS GRANTED

Antiqua

Contemporary encounters with ancient, classical and old literary sources. Sometimes this means excerpts from the Song of Songs, poems by Horace or fragments of Dante. Sometimes it means instrumental pieces built around myths, symbols, journeys or stories that refuse to stay buried.

[NOTE:] Check if these are originals.
[NOTE EDITED:] Checked. Original texts, often in their native languages — when texts are actually present.

Choruses written by the person under observation? Yup...

The main material is carried into the present through synthesizers, electronic textures and occasional foreign or unusual instruments. No attempt at historical reconstruction detected. The suspect appears to prefer resurrection over preservation.

CONCLUSION: OK, de gustibus non disputandum est... But I can't deny his talent.

RATIONALE: Combines ancient, classical and literary sources with contemporary sound. Identity preserved.

 ACCESS GRANTED

Audiography

No lyrics. No voice. Subject uses only sound. Landscapes, places, moods and movement reconstructed without words, translated into music.

Exceptionally difficult to classify.
[NOTE:] Further observation required.

CONCLUSION: Speed has colors, you can hear movement, and today’s forecast is sunny... Pure madness.

RATIONALE: Absence of text is not absence of meaning. Identity exists in sound.

[Shit, my poor head...]

CONDITIONAL ACCESS GRANTED

Side Effects

WARNING: HIGH RISK AREA.

Subject appears here rarely. So far, it remains unclear whether these are by-products or deliberate diversions.

[NOTE:] They most often arise when the subject really should not be writing music. Inconsistent with all classifications.

Correlation with emotional fluctuations? F***ing high. Correlation with logic? Nonexistent.

The scope is enormous: from quiet experiments to “why was this even created???”. Despite this, distinct traces of identity remain detectable.

CONCLUSION: Unstable, unpredictable, sometimes brilliant.

RATIONALE: Strong side effects, undeniably originating from the subject, although their exact purpose remains difficult to determine.

ACCESS GRANTED AFTER SPECIALISED TRAINING.